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Master's Hammer were one of the very first Czech black metal bands, originally forming all the way back in the mid 80s and playing an extremely simplistic form of proto-black metal still entrenched in the thrash/speed metal tendencies of their Eastern European contemporaries such as Törr, Root and the mighty Tormentor. All of these bands would go on to release landmark albums with the highly distinctive and unique sound found in early Eastern European metal. Master's Hammer would reach this goal in 1991 with their masterpiece "Ritual". As one of the first bands to incorporate folky elements into black metal while retaining their a heavy thrashing sound and interestingly strange songwriting, Master's Hammer were a challenging but very rewarding band.
Ritual is the pinnacle of the Central European black metal style characterized by continuing the riffing tradition of traditional heavy metal and strict adherence to speed metal song structure; Hellhammer, Mercyful Fate, Slayer, and even Megadeth influences are easily heard along with Bartók’s folkishness and Chopin’s romanticism. While their compatriots Root presaged the Hellenic scene, Master’s Hammer’s operatic use of the mellotron inspired the divergent atmosphere Emperor employed on In the Nightside Eclipse. Master’s Hammer leads a musical dance macabre rather than merely referencing and expressing the emotions behind the dance of death as Mercyful Fate did; the album could easily be the soundtrack to an occult horror film like Corman’s The Masque of the Red Death, serving as the red shoes for a dawn-bringing rite of spring. More Baudelaire than Mayhem, Ritual is speed metal from the Scholomance.